Featured Musician: Dave Frishberg

Dave FrishbergPianist Dave Frishberg has one of the most interesting and impressive resumes in jazz. He started his jazz career while in Minnesota at journalism school, but after leaving St. Paul for a short stint in the Air Force, he decided that New York was the logical place to pursue his music. In 1959, Frishberg’s career started to take off when he got his first touring gig as part of Kai Winding’s band. Soon after, he began a year-and-a-half stint with vocalist Carmen McRae.

In the beginning of the 1960s, Frishberg’s interest in songwriting began to take him down new avenues. By 1962, he had written “Peel Me a Grape,” which remains one of his most famous tunes. The writing kept him busy during the day at the same time that he worked as an accompanist at night, backing up artists like Ben Webster, Al Cohn, Zoot Sims, and Gene Krupa. This was the beginning of decades of accompanying some of the biggest names in jazz.Dave Frishberg

Since then, his credits have continued to pile up. His songs have been recorded on everything from “School House Rock” to Diana Krall’s “Love Scenes” album. “Retromania: At the Jazz Bakery,” his latest release as a leader, features his solo act, where he sings a variety of his classic works, such as “Zoot Walks In,” “My Attorney Bernie, “Dodger Blue,” and “Van Lingle Mungo.” Also, he has a recent album out on Portland’s Diatic Records with drummer Charlie Doggett and saxophonist John Gross. Be sure to check out their show July 13th at Wilf’s.

Below, in JazzPDX.org’s first musician feature, Frishberg answers questions about his career in an e-mail interview.

What have you been listening to lately?


Woody Herman 1946-56
Hoagy Carmichael 1924-46
Al Cohn–writing and/or playing
Glenn Gould playing Bach
Gerry Mulligan big band
Connee Boswell 1920s-40s
Lee Wylie–1930s-40s
Duke Ellington 1930s


What are some of the musical relationships in Portland that you’ve particularly enjoyed?


Rebecca Kilgore in all contexts
My saxophone friends Warren Rand, David Evans, John Gross
Dan Faehnle
Nancy King
Jim Goodwin


What kind of performances do you have lined up (in Portland and elsewhere) in the coming months?


Assorted piano gigs with Retta Christie, Rebecca Kilgore, John Gross trio
A concert in Cooperstown NY in Sep
Vocal Madness Concert, Benson Hotel, Portland 11 Nov 2007
4 nights at Jazz Bakery, LA in Dec


Are you working on any new projects right now?


Just finished a song for a scene in “Vitriol and Violets”, a play about the Algonquin Roundtable.
Preparing to record in July an album of Frank Loesser songs with Becky Kilgore.
Writing and editing contents for my website which is under construction.


What authors or journalists writing about jazz do you enjoy?


Richard M Sudhalter
Benny Green (UK, deceased)
Gene Lees
Terry Teachout
Doug Ramsey


You recently recorded a trio CD with John Gross and Charlie Doggett. Does John Gross’s unique approach to the saxophone and jazz ever push you in different or unexpected directions?


Absolutely. Gross has developed his own personal ethic about jazz– or maybe music in general–and when he plays he honors his own melodic and harmonic by-laws. In an ensemble one can’t help but respond to John’s unorthodox logic.


In the span of your career, not only have you written quite a few famous tunes, but you’ve also played with some of the best-known players in the business. Is there anything that you’ve always wanted to do, but haven’t gotten around to?


Play with Sonny Rollins. Play with a real good trio behind Peggy Lee. Hear Peggy Lee sing one of my songs. Play with Lester Young in 1936. Play with anybody in 1936.


You were recently named a “Living Legend of Jazz” by ASCAP and
honored at a ceremony in Lincoln Center with Louie Belson and Terry Gibbs. Did the young Dave Frishberg scrambling to make it in the New York scene of the late ’50s ever fantasize about achieving that kind of notoriety?


No, not that I remember. My neurosis took a different path.


What kinds of musical projects are most interesting to you
right now?


Cataloging, collating, annotating my tapes, saving stuff onto CDs.
Enjoying my new piano, a 6’2” by Fandrich & Sons, Seattle.


A lot of jazz musicians have musical interests outside of jazz. Charlie Parker, for example, was famous for putting country and western tunes on the jukeboxes of after-hours joints that he visited with his fellow musicians. Do you have a secret library of polka records or British techno-pop CDs that you turn to for solace in the lonely hours of the night?


Yeah. Hawaiian music. (rim shot)
Seriously:
Glenn Gould playing Bach can do the trick, especially in the morning
Brazilian songs sung by Carmen Miranda and by Elis Regina.
The original cast album of Candide by Leonard Bernstein.
The Mikado by Gilbert and Sullivan
Practically anything sung by Bing Crosby, Johnny Mercer, or Barbara Cook


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